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Abstract

The female body is used and invested in the Moroccan novel of frensh langage from an identity perspective that highlights the process of self-affirmation. The female story makes it the core of its plot to lay the foundations of a new emancipating vision to define the nature of the emblematic relationship between the female body and the claim for independence. Therefore, the female body becomes an object of writing, a means of expression and above all a decisive element in the process of self-realization. Writing is therefore seen as a weapon in the fight against the subjugation of the female body in order to better assert its status in society.

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