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Abstract

How to give place – and what place – to a story made of fragments of narratives, reluctance and silences? This is the question addressed in this article, which focuses on the female part of the history of the Algerian war of independence. Through the approach of Liamna's story (the cry, inarticulate and yet so eloquent by the silence that follows it), the question arises of what can make heritage and heritage. At the same time the question arises of the posture of the one who writes and thus keeps a trace of the cry and silence.

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